Memento (2000)

*****
Dir. Christopher Nolan
Before The Dark Knight Trilogy and Inception, Christopher Nolan was critically acclaimed for his independent films. These mind-boggling thrillers and film noir pictures included Following (1998), Insomnia (2002), and Memento (2000).

Memento is the story of a widower named Leonard Shelby (Guy Pearce), who suffers from short-term memory loss, and uses a system of notes and tattoos to hunt down his wife's murderer. Limited by his condition, he recruits the aid of a young woman named Natalie (Carrie-Anne Moss), and a crooked cop Teddy Gammel (Joe Pantaliano). As he pursues his detective life, we see another plot line involving one of his former clients when he was an insurance agent, who also carries the burden of this disability. While this story is presented to viewers in chronological order, Leonard's is told backwards. As more and more pieces of the puzzle are displayed as the film progresses, they each culminate into a climactic finale which continues to mesmerize audiences over a decade after its release.

The most intriguing aspect of this film is the psychological impact it has on one's mind. Not only does Nolan tell a truly remarkable and unique story, but his ability as a director allows him to penetrate the deepest layers of the viewer's consciousness. His script, based on his brother Jonathan's short story, is a brilliantly composed piece of writing. While perplexing, it contains excellent characterization and well formulated dialogue. The construction of the plot departs from the standard Hollywood format, preventing viewers from guessing what will happen next, and instead allowing them to be fully captivated.

Pearce, Moss, Pantaliano, and every other cast member give terrific performances. Pearce presents his character as emotionally conflicted and for the most part alienated from society, but not unrealistic. Moss and Pantaliano are both dynamic and unique in portraying their characters, and how they relate to others. The internal and external conflicts are well balanced, effectively used, and very original.

This is a film which makes you think, experience, and interact with an assortment of characters and conflicts. Nolan's ability to incorporate a wide range of psychological themes into his movies, and use them effectively, is what makes him one of the best directors of the 21st Century.

Note: This and the last film I reviewed on here are both available to stream on Netflix.